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Book Details: Paper over boardISBN-13: 9781942084907166 pages; 60 Color Photographs13 x 8 1/2  inches$45 US; $58.99 CAN "The first thing that strikes you while looking at the book is the beauty of the photographs. But as you drill down into them, you start to see that they are also documents of loss." - The Washington Post, December 9, 2020"The images document abandoned industrial and residential sites, as well as the toxic side effects of urban growth. They shine a light on the consequences of past planning decisions, institutional racism, environmental disregard, and America’s unchecked manifest destiny." - Photobook JournalAlso featured in:DiggPhotographs by Travis FoxForeword by Philip KennicottRemains To Be Seen explores a disappearing but still tangible American landscape, from the rust-belt towns of the Midwest to the borscht-belt resorts of the Catskill mountains. Using aerial photography with documentary candor and precision, Travis Fox creates a visually sumptuous record of former industrial sites and abandoned neighborhoods that persist as incisions on the landscape, scars in the memory, and traces of healing. Fox finds patterns that would be undetectable from the ground, uncovering a new visual record of old and debilitating problems, from institutionalized racism to environmental destruction. Remains to be Seen offers a bracing vision of an America that has become so familiar that it is, paradoxically, invisible to many Americans. Through a view from above, detached but vulnerable, his camera counters that disappearance and connects old landscapes to contemporary conscience.Travis Fox is an Emmy Award-winning journalist and the Director of Visual Journalism at the Craig Newmark Graduate School of Journalism at CUNY.Philip Kennicott is the Pulitzer Prize-winning Senior Art and Architecture Critic of the Washington Post.  View Details
Book Details:Hardcover; 84 pages, 11x9 inches33 color photographsISBN-13: 978-1942084594Price: $45.00 US     Featured by Photo District News Photographs by Tema Stauffer Foreword by Xhenet AliuContributions by Alison Nordström Upstate looks at the lingering legacy of American industrial and agricultural history in and around Hudson, New York. Combining poetic landscapes and interiors with portraiture, the images in Upstate express a quiet mystery and beauty while they revel in the vernacular. Like the Hudson River School painters who worked in the area in the 19th Century, Stauffer captures sublime elements while also revealing the shifting economic realities of the region.Tema Stauffer is a photographer whose work examining the social, economic, and cultural landscape of American spaces has been exhibited internationally.Alison Nordström is the former Director and Senior Curator of the Southeast Museum of Photography, (Florida) and Senior Curator of Photographs/Director of Exhibitions at George Eastman House, (New York) she is the author of over 100 published books and essays on photographic topics, and has curated over 100 photographic exhibitions in nine countries.Xhenet Aliu is the author of the novel Brass (Random House, 2018) and the story collection Domesticated Wild Things and Other Stories (University of Nebraska Press, 2013), winner of the Prairie Schooner Book Prize in Fiction. Her fiction, essays, and criticism have appeared in The New York Times, Glimmer Train, American Short Fiction, Lenny, LitHub, Buzzfeed, Hobart, and elsewhere. View Details
 BOOK INFO Paper over Board, 9 x 10 in / 96 pages / 50 Color ImagesISBN 9781954119031List Price: $45.00Featured in: The Library of Congress, Financial Times (Print), Veteran’s Today, Polka, Art Daily Viewing Distance compiles and transforms declassified material from United States government archives to examine photography as a tool of the military-industrial complex for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images date back to the mid-twentieth century, they have only recently been declassified and much information remains secret. These images represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. Some are deliberately concealed while others have been altered by repeated reproduction during their time in the archives. Evan Hume is an artist and educator living in Ames, Iowa, where he is Assistant Professor of Photography at Iowa State University. He earned his BFA from Virginia Commonwealth University and MFA  from George Washington Univeristy. Raised in the Washington, DC area, Hume's approach to photography is informed by the experience of living in the nation’s political center for much of his life and focuses on the medium’s use as an instrument of the military-industrial complex. He has exhibited widely in solo and group exhibitions and his work has been featured by publications such as Aperture, Der Greif, Financial Times, and Fisheye. Hume’s first monograph, Viewing Distance, was published by Daylight Books in 2021.                                          Lily Brewer holds a Ph.D. in History of Art and Architecture from the University of Pittsburgh specializing in modern and contemporary portrait and landscape photography in the United States southwest. Studying the concurrent development between photographic and weapon technologies, Brewer traces the contours of visual culture and history as it relates to war operations, military preparedness, conflict, and weapons testing during and after the Second World War and its visual articulations today. View Details
BOOK INFO Paper Over Board, 10 X 10 In. / 112 Pages  / 45 ColorISBN 9781942084310List Price: $45.00"...one can’t help but feel a connection...and then, inevitably, a sense of loss.”,- Hyperallergic, May 11, 2017“… a poignant project on the transience of objects …”, - Lenscratch, May 8, 2017“Norm Diamond has found treasures that remind us of our own mortality...", - F - Stop Magazine, July 22, 2017Photographs by Norm DiamondContributions by Kat Kiernen What Is Left Behind features photographs of items at estate sales that explore themes of memory, mortality, and cultural history.Norm Diamond has visited countless estate sales, photographing objects that evoke sadness, humor, and ironic commentary on our cultural history. The articles defy conventional expectations: a science project from 1939; a century-old letter from a rejected lover; a complete collection of Playboy magazines. Poignant photographs of these possessions reveal clues about otherwise unknowable people. These items take on lives of their own, both in these photographs and in the idea that they will now move on to new owners.Norm Diamond is a fine art photographer with a previous career in interventional radiology. His work has been shown at the Houston Center for Photography, the Davis Orton Gallery, and the Griffin Museum of Photography. In 2015 he was named a finalist in the 2015 Photolucida Critical Mass competition, and his work has been featured on Lenscratch, Slate.com, PDN, and aCurator.  View Details
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