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Book Details: HardcoverISBN-13: 9781954119369208 pages; 150 Photographs11.25 x 10.25 inches$60 USCovering a half-century of dramatic change in the socio-political and arts scene, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nations reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist–– a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself.Susan Ressler Photographs is an impressive retrospective that traces 50 years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo, Associate Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA), and the other by Mark Rice, American Studies scholar and professor at St. John Fisher University near Rochester, New York. Although some of the images appear in Ressler’s earlier Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include At Owner’s Risk (her Canadian First Nation photographs), From Analog to Digital (an account of photography’s transition from film to virtual electronic media), and Beyond Borders (work from Europe, Asia and Israel). The book ends with American Stories: Chile and Argentina (Patagonia), and coming home to Taos, New Mexico, where Ressler lives and continues to make photographs. Susan Ressler is an author, educator and social documentary photographer. She has been making photographs for about 50 years, and her work is included in the Smithsonian American Museum of Art, the Library Archives Canada, the Los Angeles County Museum of Art (LACMA) and many other important collections. She has been widely exhibited, both nationally and internationally, and has published two monographs with Daylight Books: Executive Order (2018) and Dreaming California (2023). Ressler edited the book Women Artists of the American West (McFarland, 2003), a scholarly anthology on under-represented women artists west of the Mississippi and was Head of the Photography Area at Purdue University, where she taught photographic practice, criticism and history from 1981-2004.Eve Schillo is Associate Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA). She has curated diverse exhibitions that have been featured in galleries dedicated to American, Latin American, Southeast Asian, Japanese, modern, and contemporary art, as well as those devoted to photography.Mark Rice is an award-winning author and professor of American Studies at St. John Fisher University near Rochester, New York. He has published two books and contributed essays on photography and visual culture to scholarly journals such as History of Photography, American Quarterly, Exposure, and Reviews in American History. View Details
Book Details: Soft cover, leather boundISBN-13: 978-1942084556144 pages; 96 images6 x 8 inches$45 US; $58.99 CAN "...released amid a nationwide conversation about toxic masculinity sparked by the #Metoo movement...", - Time, September 17, 2018 "...a historical document of a powerful—and aggressive—American subculture.", - Vice, October 4, 2018"This is a naked look inside the American frat house.", - The New York Post, September 27, 2018Also featured by: Photo District News - Notable Photo Books of 2018The GuardianBritish Journal of Photography Photographs by Andrew MoiseyContributions by Cynthia Robinson and Nicholas L. Syrett  The American Fraternity is a photobook that provides an intimate and provocative look at Greek culture on college campuses by combining contemporary photographs with scanned pages from a wax-stained 60 year old ritual manual. This book will shed new light on the peculiarities of the fraternal orders which count seventy-five percent of modern U.S. presidents, senators, justices, and executives among their members. These mysterious campus organizations are filled with arcane oaths and ceremonies and this book attempts to capture within its pages some of this dark power. Andrew Moisey is an award-winning photographer and educator. He is Assistant Professor of Art History and Visual Studies, a Rosevear Faculty Fellow at Cornell University. He received his Ph.D. in Film and Media Studies (May 2014) at the University of California, Berkeley. Cynthia Robinson is Professor of History of Art and Visual Studies at Cornell University, where she also serves as Chair of Undergraduate Studies in the History of Art.Nicholas L. Syrett is professor of women, gender, and sexuality studies at the University of Kansas and author of The Company He Keeps: A History of White College Fraternities and American Child Bride: A History of Minors and Marriage in the United States. View Details
BOOK INFO Hardcover, 9 X 8 In. / 116 Pages / 50 Color ISBN 9780983231677 List Price: $39.95 “These images reflect longing, and gratitude, amid glimpses of beauty.”, - American Photo Magazine, Best Photobooks of the Year, November 2013"...an introspective collection of images shot over the last eight years through a period of personal crisis.", - Photo District News, April 2013"Jacobson’s photos convey the sensation of opening your eyes for the first, and perhaps the last, time.", - Publishers Weekly, April 1, 2013Also featured by:The New York Times Lens BlogThe GuardianCNNPhoto BlogPhotographs by Jeff Jacobson Photographing with only Kodachrome, photographer Jeff Jacobson has created a seductive portfolio of images reflecting on beauty and mortality. From his opening statement: “A few days before Christmas, 2004, I was diagnosed with lymphoma. Some present. After each chemotherapy session I retreated to our home in the Catskills to recuperate. I began photographing around the house as I was too sick to go anywhere else. As my strength returned, my photographic universe slowly expanded. Shortly thereafter, Kodak discontinued production of Kodachrome. I loved Kodachrome, it helped shape my photographic vision. I filled my refrigerator and wine cooler with the stuff and kept shooting. I have outlived my film. A few days before Christmas, 2010, I exposed my last roll.” This compelling body of photographs provides a nuanced, first-person depiction of a cancer patient’s changing perspectives on life, death, art and the world at large.Featured in Mother Jones, The Guardian, Publishers Weekly, Photo District News, CNN Photo Blog, and Slate.com. View Details