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Book Details: Trade ClothISBN-13: 9781942084785220 pages; 140 color photographs13 x 10 1⁄2 $50 US; $64.99 CAN "Bergerson's American work dominates the second half of the book which covers his 25-year photographic odyssey searching for remnants of a recent, yet bygone era in America that he documents through meticulously composed photographs that demonstrate his masterful use of color and light, and engaging sense of humor." - All-About-Photo"There’s lots to be discovered when spending time with this tome not least because looking at a photograph often conjures up many other images in our heads not necessarily related to the one before our eyes. " - F-Stop magazine, July 8, 2020Also featured in:The Guardian, L’Oeil de la Photographie, Photo Life Magazine (Canada), Art Daily, and The Walrus.Photographs by Phil BergersonForeword by Robert BurleyEssays by Don Snyder and Peter HigdonPhil Bergerson’s photographs are poetic statements full of irony and pathos encapsulating this empathetic neighbor’s Canadian insight into the mysteries of our complex American nation. Using the traditions of Evans, Frank, and Lyons,  Bergerson constructs found, poetic fragments into powerful sequential ensembles that metaphorically express something genuine and meaningful.Phil Bergerson has been showing his work internationally for fifty years, and his work can be found in many prestigious collections including the National Gallery National Gallery of Canada, Bibliothèque Nationale, Paris, the Harry Ransom Center, Austin, and the Creative Center for Photography Collections, Tucson.Don Snyder, is a writer and teacher who studied with Walker Evans at Yale and Minor White at MIT. Peter Higdon, is the Founding Collections Curator at Ryerson Image Centre, Ryerson University. Robert Burley, is an internationally exhibiting photographer, represented in the George Eastman Museum, National Gallery of Canada, and Musée Niepce collections.  View Details
BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet  View Details
Book Details:  Hardcover 978-1942084570 130 pages 10 x 8 inches $45 US; $58.99 CAN  "There is a tenderness and a sensitivity in these pictures of family that cannot be faked. Nolan is not embedded with her subjects, she is entwined. As such, the pictures not only show she has an eye, but also a heart." - Chris Wiley, The New Yorker“Nolan seamlessly blends the everyday nature of her subjects with beautiful stylistic techniques…”, - Musee Magazine, October 29, 2018Also featured by:Photo District NewsHumble Arts Foundation Photographs by Peggy NolanContributions by Bonnie Clearwater and Susanne Opton Real Pictures is the result of many decades of photographs recording the day- to- day workings of a large family. As Chris Wiley of the New Yorker says “there is a tenderness and a sensitivity in these pictures of family that cannot be faked. Nolan is not embedded with her subjects, she is entwined. As such, the pictures not only show that she has an eye, but also a heart.” Peggy Nolan got married, raised seven kids, stayed home, started photographing, shoplifted film, went back to college, studied hard, got divorced, got pierced up, worked harder, graduated from college, stole more film, made more pictures, went back to college, graduated from graduate school, kids grew, calmed down, stopped stealing film, started thinking more, shot beer pictures, still thinking, still making pictures.Bonnie Clearwater is an American writer and art historian. She is the director and chief curator of the NSU Museum of Art Fort Lauderdale.Suzanne Opton is an artist and recipient of the 2009 Guggenheim Fellowship. View Details
Book Details:Hardcover: 116 pagesISBN-13: 978-194208454910 x 8 inches$45.00 U.S."Frank Van Riper’s black-and-white photographs and accompanying text eternize two idiosyncratic decades that will never be duplicated.", - The New York Times, November 29, 2018“...a lively, entertaining compare-and-contrast exercise, wrought using the writer’s own decades-distant, but still vivid, recollections.”, - Musee Magazine, November 5, 2018“...the kind of book only a lover of these two cities can write.”,- F-Stop Magazine, November 23, 2018Also featured by:The Washington Post  Photo District NewsL'Oeil de la PhotographiePhotographs by Frank Van RiperForeword by Martin Walker   Recovered Memory: New York and Paris 1960-1980 is a meditation on time and place: before the internet and 24/7 news; when one could visit the Eiffel Tower without seeing police and automatic weapons, when a ride on the New York subway cost 15 cents, when the smell of fresh-baked baguettes wafted over nearly every Parisian neighborhood, and when the Coney Island parachute ride still thrilled thousands. Van Riper’s striking black and white photographs spanning twenty years, coupled with his eloquent texts, capture the 20th-century romance and grit of New York more than a half century ago, and Paris, some forty years ago. It was a time when the pace of life was slower and somehow less threatening, people talked to each other instead of texting on their iPhones, and you literally had to stop and smell the coffee. Frank Van Riper is an internationally acclaimed documentary and fine art photographer, journalist and author. His photographs are in the permanent collections of the National Portrait Gallery, Washington, DC, the Portland Museum of Art, Portland, Maine, the photography archive of the University of Maryland Baltimore County, and the Tides Institute collection, Eastport Maine, among others. Martin Walker is an internationally renowned journalist and foreign policy scholar, and author of the bestselling ‘Bruno’ series of crime novels set in the Perigord region of France. He is a senior fellow of the Global Business Policy Council, based in Washington, DC. View Details
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